Our families have always known each other. We think a bolt punctured me right behind the ear and went in. I just took off real fast from a dead stop and we rolled out. I didn't have to go through the surgery and I regained 60 or 70 percent of my hearing back.ĭid I read that you had a bolt through your head? We had some that we were worried about getting into my actual fracture. We had some bubbles of oxygen that were getting into my main artery. We had some oxygen leaking in and we had some issues. We were gonna do a surgery on it - it was right behind this ear and I fractured my skull. I had total hearing loss for probably five or six months. Not only wear your seatbelt, but a whole lot of other deeper stuff. It really made me open up my eyes to a lot of things. I kind of got that prayer answered in a different way. I fractured my skull and I had to get transferred to another major hospital. We were moving into a brand new house during the pandemic. My wife was seven-and-a-half or eight months pregnant. Well the last time I prayed that, I had that ATV accident. Take the load off of the feeble ones around me and put it on me, because I can handle it." Whenever people would have hard times, I used to pray, "Just go ahead and put it on me, because I can handle it. I wrote and sang a song called "Heavy on Me" on the record. The pandemic, your accident on the ATV - what songs on the album do some of those events show up on? You had a son, Cody had a baby soon after. ![]() You've lived so much life in the last two years. We started really listening to what was going on and we got a feel for it and it was, "Hey, we're not going back." The next probably two or three weeks after that was the darkest. Do we go home right now, or do we play these next shows even though they're cutting capacities down? We had to cancel the shows and we headed home, which ended up being the right move. I think we were in Cleveland and we had to make a decision. What was the darkest day of the pandemic for Whiskey Myers?ĭay 1. And sometimes, going back to the live thing, if you do it live or if you do too much pre-production before the album, you can kind of waste some of the magic that does happen in the studio. There's a lot of magic that happens there that you can't replicate anywhere else. We definitely enjoy the stage a whole lot better, but we like the studio. Is the recording process something you embrace or is it a step to get to the stage again? We kind of develop our own reaction as a band to see how well we flow through the music. I think we had around 34 or 35 songs for this album. Most of the time the process going into the recording is we kind of just get in a circle as a band, as a unit. Do you need to perform each one before you'll commit to recording it? Taste of Country: So many of the new songs have such a great live feel to them. Below is a partial transcript of the conversation, with some questions edited for clarity. Jeffers talked to Taste of Country for an episode of Dutton Rules: A Yellowstone 1923 Podcast. We're very fortunate to be back on the stages again just doing what we love." ![]() ![]() "Everybody survived thank goodness, monetarily speaking. "You know, we lived through it and we took care of our guys," Jeffers says, steering the conversation about the pandemic toward the light that eventually found them. He counters his longtime friend and bandmate in several tangible ways. In fact, those who only know Whiskey Myers from Yellowstone may miss the cutting message of "John Wayne." "For the Kids" and "Heavy on Me" are two that tell the band's story in more plain-spoken language, the latter taking us to the day Jeffers rolled his ATV and nearly died. It's really hard to believe "The Wolf" (at over six minutes) wasn't recorded in front of a couple thousand fans.Ī second listen reveals more. The 10 (plus a 52-second opening instrumental) remaining songs are sharp, meaningful, guitar-fueled and ready for the stage. The first is in the raw, unprotected energy of songs like "John Wayne." Twenty seconds in and you're hit with a harmonica comparable to a caged lion's roar. Tornillo, the group's first studio album since their triumphant, self-titled album in 2019, was built during the pandemic, and that tension stands out in some interesting ways. "It was pretty scary times, to be honest." "We were at a special peak at that moment and they shut us down and we had to go home," Jeffers recalls.
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